In this series, we dive into the talented individuals behind Occult Audio. Today, we're introducing Rebeeca Corfield, a versatile sound designer and composer whose background, dedication, and passion for audio bring depth and quality to our projects.

As we continue to grow and expand our offerings, one thing has become clear: community is at the heart of everything we do. That’s why we’re excited to introduce our new Discord server, the Occult Audio Coven — a space where creators, musicians, and audio enthusiasts can come together, share their ideas, and shape the future of our products.

Running a business is no small feat. It's a 24/7 commitment, and as any entrepreneur or freelancer knows, the show must go on—even when you're not feeling your best. This week, I'm navigating my work while battling a flu, and it’s been a reminder of the delicate balance between work, health, and life.

Recently at Occult Audio, we've been deeply immersed in a horror film (which we unfortunately can’t reveal too much about just yet). A major part of the project involved figuring out how to represent an unknown entity or presence with sound. We needed something subtle but cutting—something that could build over time throughout the film. After plenty of brainstorming and experimentation, the answer turned out to be surprisingly simple: a saw.

Welcome to our Meet the Team series, where we get to know the incredible talent behind Occult Audio. Today, we're excited to introduce you to James Cox, our founder and lead composer. James is not just the creative force driving our music but also the heart and soul of what makes Occult Audio tick. Let’s dive into his world!

In the world of horror cinema, sound is an essential tool for creating fear. Screeching violins, deep bass rumbles, and eerie sound effects can all send shivers down a viewer's spine. However, one of the most powerful tools in a horror composer’s arsenal is not sound at all, but its absence. Silence, when used strategically, allows the audience to breathe, creating a momentary lull that heightens the impact of the horror when it finally strikes. Let's explore how silence plays a pivotal role in horror movie scores, referencing iconic films and composers who have mastered this technique.

From Script to Score: An Interview with Director Warren Dudley on Fright

In our latest installment of From Script to Score, we delve into the creative collaboration between directors and composers that brings cinematic visions to life through music. This week, we had the pleasure of speaking with Director Warren Dudley about his horror film Fright, exploring how music and sound design played pivotal roles in shaping its chilling atmosphere.

Behind the Score: Creating the Music for Real Thick Glasses

Real Thick Glasses is more than just a short film—it's a heartfelt exploration of hyper myopia and the experiences of those who live with extremely thick lenses. When I was tasked with composing the score for this film, I knew I needed to create something that was both unique and deeply connected to the film's themes. In this blog post, I want to take you behind the scenes of my creative process and share how I brought the story to life through music.

Behind the Score: Composing the Music for Fright – A Journey into Gothic Horror

At this year's FrightFest, we are thrilled to see Fright, a feature film set in 1937, making its debut. The film tells the haunting story of Emily, a young woman trapped in her own personal nightmare. Confined to a sprawling gothic mansion by chronic agoraphobia and a domineering mother, Emily's world is one of isolation and terror. She is haunted by malevolent forces just outside and clings desperately to the belief that her missing father could save her from this living hell. Central to her torment is the specter of a sinister black hand—a terrifying vision that has haunted her since childhood.

Behind the Score: Composing the Music for Cinderella's Curse – A Dark Twist on a Classic Tale

Tonight marks the premiere of Cinderella's Curse at FrightFest, and I couldn't be more excited to share the music behind this dark, twisted take on the classic fairy tale. When director and producer Louisa Warren first approached me about composing the score, I knew this would be a unique opportunity to blend the horror and fantasy genres—a creative challenge that I was eager to dive into.